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| Wireless Microphones |
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Professional wireless microphone systems commonly operate in five portions of the frequency spectrum. In all cases, these channels are shared with other services. The single most important factor in good wireless system operation is how well this sharing arrangement works out. Since wireless mics are always secondary users of channels, they must, by law, accept whatever interference occurs, and not cause any. (Because of their very low transmitter power it is rare for wireless mics to cause interference to other services - I have never heard of wireless mics interfering with anything but another wireless mic.) It is common, however for wireless mics to receive interference, and finding channels where that interference will not occur is the key to good wireless mic system performance. This is called frequency coordination. Low band VHF channels in the spectrum between television channels 4 and 5 (72-76 MHz) are allocated to wireless microphone use, but one of the sharing services here is common carrier paging systems. If a paging system is on your channel (or later lands there), your wireless system will hear lots of beeps, squalls, and ratchety sounding trash. The other problem with these channels is interference from computers, other digital equipment, and fluorescent lighting. For all of these reasons, we discourage their use for wireless mics. High band VHF channels in the 150 - 174 MHz range are legally available to wireless mic users. Many of these channels are shared with commercial two-way radio services in nearly all cities and towns, and have little use for wireless mics. Others are channels shared with government services at locks and dams. Since there are not many locks and dams near most wireless mic users, this sharing arrangement often works well. These are the so-called "hydrological" channels, and are in the range between 169 and 172 MHz. Good receivers are required, however, because 2-way radio transmitters are very close in frequency and Channel 7 television (with much more power) is not far away. When no interference is present, these channels work well for wireless mics. The downside of the hydrologicals is that many wireless systems have been sold for only these few channels, so the chance of touring performers bringing in a system on your channel is greatly increased. In general, these are not good channels to use. Certain professional users of wireless microphones (broadcasters, and producers of programs for television and motion pictures) are permitted to operate wireless systems on High band VHF television channels (7-13) that are unused in their area. Because this frequency spectrum is relatively free of interference, these channels are the best to use for wireless mics. Choice of frequencies for wireless mics in this spectrum is usually performed in conjunction with the frequency coordinator of the local SBE (Society of Broadcast Engineers) chapter. The same class of pro users who are entitled to use the VHF television channels are also permitted on unused UHF television channels (14-69). In the past ten years, these channels have become quite popular with wireless mic users, and more than half of all new systems operate on these channels. It costs a bit more to manufacture equipment which provides good performance at UHF, so these systems tend to be a bit more costly than equivalent VHF systems. Nearly all currently manufactured UHF wireless systems use television channels 60-69. [Recent developments make it likely that this will change, because both commercial and government two-way systems have now been made shared users of channels 60-69. See "New Problems" near the end of this paper.] Some very low priced wireless microphone systems operate in the 49 MHz band, where they receive interference from cordless telephones, garage door openers, and other consumer devices too numerous to mention. They are also susceptible to interference from CB radio operators. Others allow you to tune them to an open spot on the FM broadcast band. Such systems are unreliable and of poor audio quality, and should not be considered for any professional use. |
| Links of Interest |
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| Selection and Operation of Wireless Micrphone Systems by Shure http://www.shure.com/booklets/wireless/wireless_page1.html |
| Allocated Frequency Bands for Wireless Mics | |
|---|---|
| 72-76 MHz | Low band VHF |
| 150-174 MHz | High band VHF |
| 169-172 MHz | Hydrological channels |
| 175-216 MHz | VHF Television Ch. 7-13 |
| 470-806 MHz | UHF Television Ch. 14-69 |
| Some very low priced wireless microphone systems operate in the 49 MHz band. | |
| Common VHF Wireless Mic Frequencies | ||||
|---|---|---|---|---|
| 169.4450 | 169.5050 | 170.2450 | 170.3050 | 171.0450 |
| 171.1050 | 171.8450 | 171.9050 | ||
| Film and Video Production | ||||
|---|---|---|---|---|
| 152.8700 | 152.9000 | 152.9300 | 152.9600 | 152.9900 |
| 153.0200 | 173.2250 | 173.2750 | 173.3250 | 173.3750 |
| Broadcast Remote Pickup | |
|---|---|
| 25.870 - 26.45 MHz | 20/40 kHz intervals |
| 152.870 - 153.350 MHz | 60 kHz intervals |
| 161.640 - 161.760 MHz | 30 kHz intervals |
| 450.050 - 450.850 MHz | 50/100 kHz intervals |
| 455.050 - 455.850 MHz | 50/100 kHz intervals |
| Anchor Audio |
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AN-100W
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| Azden | 169.4450 | 169.5050 | 170.2450 | 171.0450 | 171.1050 |
|---|---|---|---|---|
| 171.8450 | 171.9050 | 175.4000 | 178.2250 | 179.2000 |
| 176.4250 | 177.6500 | 181.4000 | 184.0250 | 185.1250 |
| 181.8500 | 182.5500 | 187.8000 | 188.2000 | 190.6000 |
| 191.3000 | 189.3250 | 190.0750 | 194.4000 | 195.4250 |
| 196.8000 | 192.3250 | 193.8250 | 195.9720 | |
| Fender | |
|---|---|
| Passport Wireless | |
| Travel "A" | 169.5050 |
| Travel "B" | 171.9050 |
| 07 | 174.8000 |
| 11 | 202.4000 |
| 12 | 206.4000 |
| 10 | 195.4000 |
| 13 | 208.2000 |
| Memorex |
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MKA381 Wireless Microphone (171.0450 MHz)
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| Nady | |
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151 Encore 200 Encore Duet 401X Quad WA-120 WA-1620U (745-754.3 MHz)
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351 DKW-1 & Encore I/II UHF-3 UHF-4/UHF-10 UHF-16/U-1000 Series (726-863 MHz) ALD-800/E03 PEM-500 |
| Pyle |
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PDWM-94/96 (114-116 MHz) PDWM-2000 (160-250 MHz) PDWM-102 (185-199 MHz) PDWM-1500/5000 (210-280 MHz) PDWM-2300/3000 (232.4-261 MHz) PDWM-7400 (470-580 MHz) PDWM-8000
PDWM-2600/5300/9300 (690-960 MHz) PDWM-4000/6000 (736-750 MHz) PDWM-400HD/410BP/420PG (780-865 MHz) PWA-500/1500/3500 Wireless PA (210-216 MHz) PWMA-120/230 Wireless PA (170-216 MHz) PWMA-830/840/850/900 Wireless PA (170-216 MHz) PWMA-920CS/930CD/950CSD Wireless PA (400-500 MHz)
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| Samson Wireless |
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VHF
UHF
UHF TV
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| Sennheiser |
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Evolution Wireless Mics
3000/5000 Wireless Mics
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| Shure |
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| Shure brand wireless micrphones use frequencies in the 174-216 MHz VHF TV channel 7-13 and 596-806 MHz UHF TV 35-69 bands. |
| Performance Gear VHF and T Series (169.445-208.2 MHz) |
| LX88-II (169.445-208.2 MHz) |
| LX Wireless (169.445-208.2 MHz) |
| PGX/Performance Gear |
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| PSM200 Personal (In-Ear) Monitors (518.75-553.25 MHz) |
| PSM400 Personal (In-Ear) Monitors (722.325-745.675 MHz) |
| PSM600 Personal (In-Ear) Monitors (626.475-656.5 MHz) |
| PSM700-H3 Personal (In-Ear) Monitors (524.2-553.8 MHz) |
| PSM700-HF Personal (In-Ear) Monitors (722.325-745.675 MHz) |
| PSM700-L2 Personal (In-Ear) Monitors (632.2-661.8 MHz) |
| SC Wireless (169.445-210.6 MHz) |
| SLX Wireless (518-820 MHz) |
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| TwinPro Wireless (169.445-208.2) |
| UC Wireless |
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| UHF Wireless |
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| ULX Wireless |
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| UP Wireless |
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| Performance Gear UHF and UT Series (581-782 MHz) |
| VP Wireless (169.445-208.2 MHz) |
| Telex |
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Electro-Voice RE-1 (680-704 MHz 772-746 MHz) Electro-Voice RE-2 (648-678 MHz 696-724 MHz)
Electro-Voice CSR-1000 Receiver
Electro-Voice R-100 VHF (174.1-185.35 MHz -203.2 MHz) FMR-2 Diversity Systems (150-216 MHz) FMR-50 Single Antenna Systems (150-186 MHz) FMR-2G & FMR-50G Wireless Guitar Systems (150-186 MHz) FMR-1000 (680-704 MHz 722-746 MHz)
FMR-500 (648-676 MHz 696-724 MHz)
Accessories: FMR-70 (165-216 MHz) PRO STAR VR-12 (174.1-185.35 MHz) ENG-100 (668-746 MHz)
PST-170 Transmitter (72-76 MHz) SR-50 Receiver (72-76 MHz) SR-400 Receiver (72-76 MHz) HT-200 (169-216 MHz) WT-55/60/80 (150-216 MHz) ProStar VR12 (174.1-185.3 MHz)
SAFE-1000 (680-704 MHz 722-746 MHz encrypted)
ENG-100 SoundMate all models (72.1-75.9 MHz) ST-300 Transmitter 72.1000
72.2000
72.3000
72.4000
72.5000
72.6000 TR-34 Wireless IFB (64-68 MHz)
BTR-300 VHF Intercom (150-216 MHz)
BTR-500 UHF Intercom (520-760 MHz)
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